Flora/Fauna:The Naturalist Impulse in American Art

June 3 – September 17, 2017


Nature walks, gardening presentations, gallery talks, lectures, and more…click here for a full list of events, activities, and special programs held in conjunction with this exhibition.


Exhibition catalogue: Flora/Fauna: The Naturalist Impulse in American Art by Jennifer Stettler Parsons with essays by Ellery Foutch and Amy Kurtz Lansing
More information…


Gurdon Trumbull, "Black Bass," 1872, Oil on canvas, 17 ½ x 25 1/8 in., Florence Griswold MuseumOrganized by the Florence Griswold Museum, Flora/Fauna: The Naturalist Impulse in American Art will feature 101 works surveying the history of artist-naturalists and environmentally-conscious artists in America from the 19th through the mid-20th centuries. Exploring the intersections of fine art with natural history, it begins with the Peale family, John James Audubon and their contemporaries and examines the naturalist impulse in works by the Hudson River School, American Pre-Raphaelites, and American Impressionist artists. Highlighting Impressionists such as Childe Hassam, Willard Metcalf, and Harry Hoffman, the exhibition will showcase the importance of naturalist subjects for artists at the Lyme Art Colony, centered at Florence Griswold’s boarding house in Old Lyme. These artists sought inspiration in nature while also contributing to the conservation movement in the Connecticut River Valley, still vital today. The exhibition’s coda will feature select 20th-century artist-naturalists such as Old Lyme resident Roger Tory Peterson, creator of widely-used bird guides.

Willard Metcalf, Collection Chest, Wood containing a collection of butterflies, moths, birds’ eggs, nests and supporting documents, 64 ½ x 42 ¼ x 14 ¼, Florence Griswold Museum

Inspired by the Museum’s extensive collection of Willard Metcalf’s work, including his rare and intact collection of bird eggs, moths, and butterflies, the project will contribute new scholarship on the little explored relationship between Impressionism and natural history.



Fidelia Bridges, "Wild Roses Among Rye," 1874, watercolor and gouache over pencil on paper, 13 ½ x 9 in., Florence Griswold Museum

The exhibition will also highlight the undervalued contribution of women to the genre, showcasing the Florence Griswold Museum’s rich collection of Fidelia Bridges’ work with a rarely seen portfolio of her sketches and studies of nature. Works on view will be drawn from the Museum’s permanent collection and also include loans.




A fully-illustrated catalogue with interpretive essays will accompany the exhibition.







Flora/Fauna: The Naturalist Impulse in American Art has been made possible with the generous support of The Hartford Steam Boiler Inspection and Insurance Company, the National Endowment for the Arts, Bank of America, the Rudolph and John Dirks Fund of the Community Foundation of Eastern Connecticut, the Nika P. Thayer Exhibition and Publication Fund, and the Connecticut Office of the Arts. Additional support has been generously provided by a group of individual donors that are helping to advance the Museum’s mission through special exhibitions. Media sponsors: Connecticut Cottages and Gardens and WSHU.

Gurdon Trumbull, Black Bass, 1872. Oil on canvas, 17 1/2 x 25 1/8 in. Florence Griswold Museum, Gift of The Hartford Steam Boiler Inspection and Insurance Company, 2002.1.139

Naturalist Collection once belonging to Willard Metcalf. Florence Griswold Museum, Gift of Mrs. Henriette A. Metcalf, 1971.35

Fidelia Bridges, Wild Roses Among Rye, 1874. Watercolor and gouache over pencil on paper, 13 1/2 x 9 in. Florence Griswold Museum, Gift of The Hartford Steam Boiler Inspection and Insurance Company, 2002.1.13