with Jenny Parsons, Curator of Exhibitions

Free with Museum Admission, no advance reservation required

Join the curator to discuss some of the ways art historians are reframing American Impressionist paintings through the lenses of race, gender, and the environment.

Impressionism 150: From Paris to Connecticut & Beyond is on view through September 8.

Image: George Brainerd Burr (1876–1951), The Artist’s Wife, ca. 1914. Oil on Masonite. Gift of Mrs. Patricia Burr Bott, 1979.8

This exhibition has been made possible by generous support from Traditional Fine Arts Organization, CT Humanities, the Department of Economic and Community Development, Connecticut Office of the Arts, HSB, The David T. Langrock Foundation, The Aeroflex Foundation, Barbara & Wayne Harms, Keith & Elaine Knowlton, Richard & Barbara Booth, Bouvier Insurance, Peter & Karen Cummins, Jeb & Dianne Embree, Val Koif & Richard Cersosimo, Virginia & Timothy Milllhiser, Deborah & Roy Moore, Guido & Diane Petra, Luanne Rice, Thomas & Cynthia Sculco, Barbara Smith, The Cooley Gallery, MaryBeth Marx, and Jane Chestnutt & Mallory Rintoul, as well as donors to the Annual Fund.